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Showing posts from June, 2014

Emerging Curators Retreat 2019 at Otis College of Art and Design

OTIS COLLEGE OF ART AND DESIGN Emerging Curators Retreat in Los Angeles Jamillah James and Meg Cranston, Emerging Curators Retreat 2018. Photo: Paulina Samborska. Priority deadline:  January 30, 2019 Otis College of Art and Design 9045 Lincoln Blvd 90045 Los Angeles, CA www.otis.edu Instagram  /  Facebook  /  Twitter  /  YouTube The two-week  Emerging Curators Retreat  focuses on Los Angeles’ international art scene with powerhouse visiting curators. Perfect for emerging and diverse individuals looking to advance their artistic and curatorial skills. Through a series of talks, conversations, and presentations with professional curators, artists, and thinkers, and site visits to museums, galleries, studios, and alternative spaces, participants will be able to engage with the local art community and advance their careers as curators. This retreat focuses specifically on the Los Angeles’ art scene while participants develop transferable skills as a curator.
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Call for applications: PhD programme in visual art and design at PhDArts

PhDArts Symposium "Publishing as Performance," 2014. Photo: Marcello Ghilardi. Courtesy of PhDArts. PhDArts Call for applications: PhD programme in visual art and design research in and through artistic practice Application deadline:   October 1, 2014 info@phdarts.eu www.phdarts.eu Share this:  Facebook  |  Twitter PhDArts offers an international, high-level doctorate in art and design at Leiden University and the Royal Academy of Art, The Hague, The Netherlands.   The PhDArts research trajectory consists of two elements: individual research and participation in the doctoral study programme.   An appropriate team of supervisors is sought for each doctoral student. The doctoral study programme, which consists of lectures, seminars, trainings, and workshops, is an essential part of the research environment in which the student undertakes his or her research. Research in and through art is an inseparable part of the artistic or design practice of the researcher
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The Eugeniusz Geppert Academy of Art and Design in Wrocław seeks applicants for Printmaking programs in English

Work by Andreea Victoria Anghel (MA in Printmaking, 1st year student). Photo: Wojciech Kołacz. Eugeniusz Geppert Academy of Art and Design Call for applications: Printmaking programs in English Application deadlines Postgraduate Interdisciplinary Printmaking:  September 19, 2014 Master of Fine Arts in Printmaking: June 30, 2014 PhD in Printmaking: September 15, 2014 The Eugeniusz Geppert Academy of Art and Design Faculty of Graphics and Media Art Plac Polski 3/4 50-156 Wrocław, Poland printmaking@asp.wroc.pl www.asp.wroc.pl www.printmaking.asp.wroc.pl Facebook  /  Vimeo Share this:  Facebook  |  Twitter Interdisciplinary Printmaking   The offer is addressed to graduates of the first degree, second degree and uniform Master degree studies. Under this program students will be able to realize interdisciplinary print media projects, chosen from following studios: Intaglio, Relief, Lithography, Serigraphy or Creative Drawing. The program also offers lectures and workshops pr
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St. John’s University introduces MA program for aspiring museum administrators

Photo: Belenna Lauto. Courtesy of the New York Public Library. © Belenna Lauto, 2013. St. John's University MA in Museum Administration St. John's University St. John Hall, Room B11-E Queens, NY 11439 www.stjohns.edu/ museumadministration Share this:  Facebook  |  Twitter St. John's University will launch a Master of Arts in Museum Administration in the fall 2014 semester. The degree, offered by St. John's College of Liberal Arts and Sciences at the University's Queens, New York campus, encompasses curatorial practice, collections and exhibitions management, museum education, and application of museum-specific communication techniques and technology platforms.  According to Susan Rosenberg, PhD, Director of the MA degree program in Museum Administration at St. John's, an advanced degree and hands-on professional experience are necessary in the museum arena. "We designed the curriculum to take advantage of St. John's global and dome
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Christie's Education: autumn Short Courses in London, New York, Hong Kong & Dubai

Jomar Statkun. Courtesy of Garis & Hahn. Photograph: Amy Obarski. Christie's Education Short Courses www.christies.edu/courses Share this:  Facebook  |  Twitter Join Christie's Education this fall for   Short Courses  that provide a concise insight into the art world. Based in London, New York and Hong Kong, Christie's Education courses combine the intellectual with the practical providing a true appreciation of art in a global context, and a foundation for exciting career opportunities. London   Art Market Access   September 8–12, 2014   The Introductory Wine Course   September 23–October 7, 2014 The Great Russian Art Experiment 1860–1940: Malevich and Constructivism   September 24–26, 2014 Passion and Power: European Romanticism 1760–1840 October 8–10, 2014 The London Art Course: Modern & Contemporary Art    Term 1:   October 1–November 26, 2014   Term 2: January 21–March 18, 2015   Term 3:   April 22–June 3, 201
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Bursaries still available for Curating Contemporary Art MA at the Royal College of Art in London

Nastivicious (Nástio Mosquito),  The Acts , 2012. Video installation at RCA galleries, 2014. Photo: David Pearson. Royal College of Art Curating Contemporary Art bursaries available for the 2014/15 academic year Royal College of Art Kensington Gore London SW7 2EU www.rca.ac.uk Share this:  Facebook  |  Twitter Led by Professor Victoria Walsh, the Curating Contemporary Art Master of Arts Programme at the Royal College of Art is internationally recognised for its commitment to and emphasis on collaborative, studio-based project work that integrates theory and practice throughout the two years of the curriculum.  The programme approaches the field critically, theoretically and through best practice in commissioning, exhibition-making, programming and writing with London-based and national arts venues. Through this approach, knowledge and understanding of these practices is grounded in the context of public audiences, globalisation and the digital.  Widely acknowledge
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