Skip to main content

Emerging Curators Retreat 2019 at Otis College of Art and Design

OTIS COLLEGE OF ART AND DESIGN Emerging Curators Retreat in Los Angeles Jamillah James and Meg Cranston, Emerging Curators Retreat 2018. Photo: Paulina Samborska. Priority deadline:  January 30, 2019 Otis College of Art and Design 9045 Lincoln Blvd 90045 Los Angeles, CA www.otis.edu Instagram  /  Facebook  /  Twitter  /  YouTube The two-week  Emerging Curators Retreat  focuses on Los Angeles’ international art scene with powerhouse visiting curators. Perfect for emerging and diverse individuals looking to advance their artistic and curatorial skills. Through a series of talks, conversations, and presentations with professional curators, artists, and thinkers, and site visits to museums, galleries, studios, and alternative spaces, participants will be able to engage with the local art community and advance their careers as curators. This retreat focuses specifically on the Los Angeles’ art scene while participants develop transferable skills as a curator.

New temporary Master's programme at Sandberg Instituut, 2014–2016

feb28_sandberg_img.jpg
Settings, September 2012. Installation view, de Appel arts centre, Amsterdam. Photo: XML.
Sandberg Instituut Amsterdam

Designing Democracy Master's programme: 

call for applications

Sandberg InstituutGerrit Rietveld Academie, Amsterdam  Fred. Roeskestraat 981076 ED, Amsterdam
T +31 20 5882400  contact@sandberg.nl
www.sandberg.nl
Share this: Facebook | Twitter

In a time when confidence in democracy is under increasing pressure—from the Euro crisis to the US shutdown, from the Occupy movement to the streets of Athens—this Sandberg Master's programme puts the future of democracy into question through design. Directed by architecture studio XML, students collaborate within an intensive environment with artists, architects, journalists, politicians, scholars and other thinkers. This interdisciplinary studio explores the power of design to activate possible forms of collectivity—the quality or state of being collective—and ranges from intervening on the scale of personal media to rethinking the institutions of democracy itself.

Course
The programme aims to apply design as a specific method of critical thinking and use it to re-imagine collective structures of dialogue, debate and social progress. Design used to be one of the self-evident tools to shape politics, but today the role of design in large-scale politics is either underestimated or controversial. The aim of the studio is to understand this reconfiguration and to experiment with new articulations of design that give shape to democratic politics. 

During the first half-year, the students form a collaborative research team to explore and map the current condition of representative democracy in the Western world. A series of workshops around themes formulated by the tutors helps the students to focus on specific issues and angles in this research phase. The aim of this phase is to connect the broader examination of democracy to the students' individual interests and agendas.

In the second part of the year, students work individually or in small groups on developing projects within thematic sub-clusters that are based on questions formulated in the research phase. At the end of each phase the results are presented to the public at a special location outside the school.

Based on the findings of the first year, students will work in the second year on sub-themes they have formulated themselves. Alongside the two-year track, the studio offers students opportunities to develop smaller midterm projects as a way to respond to present-day societal urgencies. In this way, the studio develops its own kind of agency within the current debate surrounding the growing disapproval of structures of democratic government.

Forum
During the two-year Master's an intensive program of lectures, workshops and public events is organized as part of the studio. The Sandberg Forum program is held at a prime location in the city of Amsterdam and, when relevant, at venues in other world cities. Moving away from academic insularity by extending the interface between academia and society, the studio effectively operates as a "do-tank" that is capable of addressing urgencies in society. Students are challenged to invite and introduce guests on this platform based on their own individual projects.

Students
For this course we explicitly invite applications from students from different backgrounds. We aim to create an interdisciplinary group of graphic designers, spatial designers, filmmakers and other visual artists. A small number of places in the studio are open to students with a limited (or no) background in visual arts, but who will be able to contribute to the work of the studio through their proficiency in fields related to the studio's research (such as journalism, sociology, political science, etc).

Course directors
Max Cohen de Para & David Mulder van der Vegt (founders XML) 
A changing group of artists and experts will guide the students, whether weekly, or in workshops, or as visiting critics.

For more information, please visit: 

How to apply
Please visit www.sandberg.nl for an online application. 


feb28_sandberg_logo2.jpg

Comments

Popular posts from this blog

Uversity's Creative Impact Scholarship: design your own degree

Image courtesy of Uversity. Uversity Creative Impact Scholarship: design your own degree Application deadline : June 22, 2014 www.uversity.org Share this:  Facebook  |  Twitter Design your own programme Uversity's Master of Arts in Creative Process is a world first in personalised learning.   Uversity  puts you in control of your education with a learning framework that promotes individuality and creative difference.  Leading universities, institutes of technology and independent colleges across the island of Ireland have joined together to establish Uversity. In this innovative programme, the   partner institutions  have opened their creative programmes, allowing curriculum choices that reach beyond a single discipline or institution.    You will work with a personal mentor to create a   programme  that is unique to your learning requirements by choosing   modules  from eight general categories: – Art and Design – Cinema and Broadcast Arts – Creativ

MSc Conservation Studies at UCL Qatar – call for applications

Conservation laboratory work at UCL Qatar. © Robert Eagle. Client name MSc Conservation Studies – call for applications Application deadline:  1 May 2014 UCL – London's Global University UCL Qatar PO Box 25256 Georgetown Building, Education City Doha Qatar T  +974 4457 8680 admissions.qatar@ucl.ac.uk www.ucl.ac.uk/qatar Share this:  Facebook  |  Twitter UCL Qatar is a department of University College London, one of the world's foremost institutions for the study of conservation and cultural heritage. Since opening its doors in August 2012, UCL Qatar has welcomed over 80 students from 33 countries, across four graduate degree programmes in Conservation, Museum Studies, Archaeology and Library Studies. UCL Qatar is currently accepting applications for places on its MSc in Conservation Studies commencing on 25 August 2014. The MSc is a full-time two-year programme that teaches conservation of objects (metals, glass, ceramics, stone), textiles, contemporary art a

New York Arts Practicum: call for applicatio​ns for summer 2014

New York Arts Practicum participants meet with Pablo Helguera at The Elizabeth Foundation for the Arts, 2013. Photo: Sharon Romang. New York Arts Practicum Call for applications: summer 2014 June 9–August 1, 2014 Application deadline: March 15, 2014 info@artspracticum.org www.artspracticum.org Share this: Facebook | Twitter Applications are being accepted for the 2014  New York Arts Practicum, a summer arts institute where participants experientially learn to bridge their lives as art students into lives as artists in the world. The program is structured around apprenticeships with mentor artists, a critique seminar where participants produce work without access to their institutional facilities, and site visits to artist workspaces, galleries, and museums. The intensive eight-week program offers participants a structured environment to experience the challenges of life as an artist and demystifies the many ways one can be an artist today. Mentees work in their mento