Skip to main content

Emerging Curators Retreat 2019 at Otis College of Art and Design

OTIS COLLEGE OF ART AND DESIGN Emerging Curators Retreat in Los Angeles Jamillah James and Meg Cranston, Emerging Curators Retreat 2018. Photo: Paulina Samborska. Priority deadline:  January 30, 2019 Otis College of Art and Design 9045 Lincoln Blvd 90045 Los Angeles, CA www.otis.edu Instagram  /  Facebook  /  Twitter  /  YouTube The two-week  Emerging Curators Retreat  focuses on Los Angeles’ international art scene with powerhouse visiting curators. Perfect for emerging and diverse individuals looking to advance their artistic and curatorial skills. Through a series of talks, conversations, and presentations with professional curators, artists, and thinkers, and site visits to museums, galleries, studios, and alternative spaces, participants will be able to engage with the local art community and advance their careers as curators. This retreat focuses specifically on the Los Angeles’ art scene while partic...

Apply for Salzburg International Summer Academy of Fine Arts

january30_salzburg_img.jpg
Photo: Ruth Ehrmann.
Salzburg International Summer Academy of Fine Arts

Salzburg Summer Academy: Call for applications

Apply now

21 July – 30 August 2014

office@summeracademy.at
+43 662 842113

www.summeracademy.at
Share this: Facebook | Twitter

About the Summer Academy Programme
The 2014 Summer Academy offers 21 courses of between one and four weeks—18 in Hohensalzburg Fortress, one in the Kiefer quarry in Fürstenbrunn and two in temporary venues in the city.

How does the world come into the picture? *
This is the motto of the Summer Academy's widely varied programme. It deals with the particular ability of the fine arts to generate "images" of the increasingly impenetrable world, both of its superficial outward appearance and of social and political conditions. 

Thus Amelie von Wulffen begins her course with the question of how artists appropriate the world, and how it then develops into a picture, and Norbert Bisky investigates the relation between perception and image-finding. Together with his students, Doug Ashford carries out research and practical experiment on the nature of human life, bodies and politics. By establishing direct on-site collaboration, Tobias Zielonyconcentrates specifically on the use of photography to show the life-worlds of young people. 

What's new in 2014?
For the first time, the Summer Academy offers a course in The Art of Writing, with art historian, critic and writer Jennifer Allen. Since the Summer Academy programme opened up to include further artistic disciplines, starting with curatorial practice, this is a logical continuation.

Cinéma copains (Arne Hector/Minze Tummescheit) demonstrate how artists today can work with analogue film in their own dark-room, showing a method developed by artists in recent years parallel to the disappearance of analogue film. Robert Kuśmirowski will direct the Summer Academy's first course in the genre "Public Art"; students will move around in the city from a "home base", exploring possible and impossible ways to realise both collaborative and individual projects. In another "first", Olga Chernyshevaand Anna Jermolaewa together with their students, will work closely with the curators in Anders Kreuger's course, and reflect on how pictures function and what they signify. They will also collaborate in mounting a final presentation.

The programme approaches topical questions of contemporary art, curating and writing about art. The course subjects, the techniques taught and the teaching methods are widely diverse, but the link between them is the quest for contemporaneity – examining current aesthetic, political, social – and thus artistic – questions, and for new forms of expression.

* The title of Amelie von Wulffen's course

Teaching artists in 2014
Nancy Adajania, Jennifer Allen, Doug Ashford, Kader Attia, Sarnath Banerjee, Norbert Bisky, Olga Chernysheva/Anna Jermolaewa, cinéma copains (Arne Hector/Minze Tummescheit), Charlotte Cullinan, Adriana Czernin, Felix Gmelin, Ellen Harvey, Anders Kreuger, Robert Kuśmirowski, Peter Niedertscheider, Lukas Pusch, Lucy Sarneel, Elisabeth Schmirl, Paolo Woods, Amelie von Wulffen, Tobias Zielony



Regular application
The Salzburg Summer Academy is open to anyone interested. The high quality of the courses is guaranteed by the requirement that all prospective participants must apply for acceptance. On the basis of the submitted dossier, the teaching artists select participants. The fees are between 440.- and 1,160.- EUR, depending on the duration of the course. Students are entitled to a reduced fee. All application received by 15 May 2014 will be treated equally. Later applications are welcome, and will be processed in the order received, according to vacancies in the courses.

Grants
The Summer Academy offers numerous grants, covering tuition fee to participate in one of the courses. Application deadline 1 April 2014.


january30_salzburg_logo.jpg

Comments

Popular posts from this blog

Royal Academy of Fine Arts (KASK) and Royal Conservatory School of Arts, Ghent seeks applications

© Marijke De Roover, Master in Visual Arts. Royal Academy of Fine Arts (KASK), School of Arts of University College Ghent Call for applications: Master in Visual Arts, Master in Audio-Visual Arts, Master in Music, Advanced Master in Music Open house:  April 27, 2014 Application deadline for 2014–2015 academic year  (starting September 2014): Friday, March 28, 2014 Entrance exam :  April 28, 2014 Royal Academy of Fine Arts—Royal Conservatory School of Arts Ghent Jozef Kluyskensstraat 2 9000 Ghent Belgium T +0032 9 2670172 www.schoolofartsgent.be www.aprior.org   www.kaskcinema.be   kioskgallery.be   Share this:  Facebook  |  Twitter Studying at KASK or Royal Conservatory Ghent The Royal Academy of Fine Arts (KASK) and the Royal Conservatory constitute the School of Arts of University College Ghent. The school brings together talented and motivated students with outstanding educators, active artists, designers and theorists in ...

Call for applications: Henry Moore Institute Visiting Research Fellowships (2016–17)

Exterior view of the Henry Moore Institute, Leeds. Photo: David Cotton. Henry Moore Institute Call for applications: Visiting Research Fellowships (2016–17) Application deadline:  March 1, 2016 Henry Moore Institute   74 The Headrow Leeds, West Yorkshire LS1 3AH UK www.henry-moore.org    Share The Henry Moore Institute is a world-recognised centre for the study of sculpture. We host a year-round programme of exhibitions, conferences and lectures, as well as developing research and publications, to expand the understanding and scholarship of historical and contemporary sculpture. Each year, we offer a number of Fellowships to enable researchers of different backgrounds and disciplines to develop their work. Research Fellowships are intended for artists, scholars and curators working on historic and contemporary sculpture who can make particular use of the Institute's resources: our Research Library, Archive of sculptors' papers, and the Leeds scul...

Call for applications: 2015 Visiting Scholar program at the Canadian Centre for Architecture (CCA)

Naoya Hatakeyama,  View of the Canadian Centre for Architecture from a window of Hôtel du Fort , 28 September 2007.* Canadian Centre for Architecture (CCA) Visiting Scholar program 2015 Application deadline:  Wednesday, 30 April 2014  ( 5pm EST ) www.cca.qc.ca Share this:  Facebook  |  Twitter The Canadian Centre for Architecture (CCA) is pleased to announce the 2015 Visiting Scholar Program. The program welcomes applications from architects, professionals in the field of the built environment, and scholars at different stages of their careers conducting research on a post-doctoral or equivalently advanced level. The  Canadian Centre for Architecture  is an international research centre and museum operating from a fundamental conviction that architecture is a public concern. Based on its extensive collection and public programs, the CCA is a leading voice in advancing knowledge, promoting public understanding and widening thought...