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Emerging Curators Retreat 2019 at Otis College of Art and Design

OTIS COLLEGE OF ART AND DESIGN Emerging Curators Retreat in Los Angeles Jamillah James and Meg Cranston, Emerging Curators Retreat 2018. Photo: Paulina Samborska. Priority deadline:  January 30, 2019 Otis College of Art and Design 9045 Lincoln Blvd 90045 Los Angeles, CA www.otis.edu Instagram  /  Facebook  /  Twitter  /  YouTube The two-week  Emerging Curators Retreat  focuses on Los Angeles’ international art scene with powerhouse visiting curators. Perfect for emerging and diverse individuals looking to advance their artistic and curatorial skills. Through a series of talks, conversations, and presentations with professional curators, artists, and thinkers, and site visits to museums, galleries, studios, and alternative spaces, participants will be able to engage with the local art community and advance their careers as curators. This retreat focuses specifically on the Los Angeles’ art scene while participants develop transferable skills as a curator.

Graduate Lecture Series 2014 & MFA Open Studios at USC Roski

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William Pope.L, Failure Drawing #386 Worm in Class Circa, 2003–08. Ballpoint pen and watercolor on newspaper over card. Courtesy of Mitchell-Innes & Nash.
USC Roski School of Art and Design

Graduate Lecture Series 2014 & MFA Open Studios

MFA Open StudiosSaturday February 1, 2014
Hours: 5–10pm

Roski School of Art and Design
University of Southern California
850 W 37th Street
Los Angeles, CA 90089

roski.usc.edu/calendar
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The USC Roski School of Art and Design is pleased to announce its spring 2014 Graduate Lecture Series, featuring weekly, in-depth presentations by internationally recognized artists, curators, and writers in an intimate setting that fosters critical conversation. All lectures are free and open to the public.

For spring 2014, USC Roski is collaborating with The Museum of Contemporary Art (MOCA) Art Talks. The two institutions will jointly host several events of Roski's Graduate Lecture Series at the Ahmanson Auditorium at MOCA Grand Avenue. The venue expansion will offer wider public access to the open and rigorous conversations held between lecturers and graduate students, as well as heighten the civic engagement of both institutions. For more information on MOCA exhibitions and programs, checkmoca.org.


January 15: Richard Hawkins, artist 
12–2pm USC Graduate Fine Arts Building (IFT)


January 22: Renzo Martens, artist 
12–2pm USC Graduate Fine Arts Building (IFT)


January 29: Suzanne Hudson, art historian 
12–2pm USC Graduate Fine Arts Building (IFT)


February 6: William Pope.L, artist 
7–9pm Ahmanson Auditorium, MOCA Grand Avenue


February 27: Ron Athey, artist 
7–9pm Ahmanson Auditorium, MOCA Grand Avenue


March 5: Cuauhtémoc Medina, art historian, curator 
12–2pm USC Graduate Fine Arts Building (IFT)
Presented in collaboration with USC Art History and the Seminar Series


March 12: Lauren Cornell, curator 
12–2pm USC Graduate Fine Arts Building (IFT)


March 27: Collier Schorr, artist 
7:30–9:30pm USC Wong Auditorium (HAR)
Co-sponsored by the Handtmann Photography Lecture Series


April 9: Mathias Poledna, artist 
12–2pm USC Graduate Fine Arts Building (IFT)


April 24: Lynne Cooke, art historian, curator 
3–5pm Ahmanson Auditorium, MOCA Grand Avenue
Presented in collaboration with USC Art History and the Seminar Series


May 8: Michael Smith, artist 
7–9pm Ahmanson Auditorium, MOCA Grand Avenue



Graduate Fine Arts Building (IFT)
3001 S. Flower Street
Los Angeles, CA 90007

Wong Auditorium, Harris Hall (HAR)
850 W. 37th Street
Los Angeles, CA 90089


Ahmanson Auditorium
The Museum of Contemporary Art
250 S. Grand Avenue
Los Angeles, CA 90012



The MFA Program
The MFA Program at the USC Roski School of Art and Design is a two-year, full-time, studio-based program located in the center of Los Angeles. The program accepts eight students each fall, providing a highly rigorous and individualized experience. Its interdisciplinary nature encourages wide-ranging experimental and intellectual exploration. Students work closely with an internationally recognized faculty including Jud Fine, Sharon Lockhart, Tala Madani, Paul Sietsema, Frances Stark, A.L. Steiner, and Charlie White. Beyond the core faculty, MFA students work with an expanded community of professional artists, critics, and curators, including other members of the USC Roski faculty, who participate in the weekly lecture series, teach critical-studies courses, conduct studio visits, and serve on thesis committees. roski.usc.edu/mfa

The MA Program, Art and Curatorial Practices in the Public Sphere
The MA program is an intensive Master's-level course in the practice and history of art, curating and critical theory. Over two years of study, students explore cultural production, writing, and programming in a curriculum that combines seminar and practicum formats, intimate guest lectures, and cross-disciplinary opportunities within a premiere research university. Seminars are taught by curators, art historians, artists, and critics whose work with leading institutions and publications provides critical insight to students as they pursue research and manifest their second-year exhibitions and individual Master's Theses. Students work collaboratively to conceptualize, research and organize a culminating project in Los Angeles, an exhibition with a connected publication and programming. MA faculty includes Rhea Anastas, Connie Butler, Karen Moss, John Tain, Lincoln Tobier, Irene Tstatsos and Noura Wedell. roski.usc.edu/ma

The Seminar Series is programmed by the Contemporary Working Group, a newly inaugurated interdisciplinary research group, generously funded by a USC Research Collaboration Fund, for practitioners across the humanities and fine arts who are working on contemporary research topics or making creative work in relation to the contemporary field.  For more information about The CWG, read more here.

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